Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: In the Field (Symposium)

An international symposium for field recording that explored the practice, art and craft of field recording through a series of panel presentations, listenings and screenings at the British Library in 2013. The symposium aimed to relate the multitude of contemporary field recording practices to their historical precedents, while investigating issues in contemporary practices such as how field recordings are distributed to and heard by an audience, recording the unheard, mapping the urban field as well as questioning the extended nature of the field in a digital networked landscape.
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Member Profile: Magz Hall

Sound and radio artist and senior lecturer at Canterbury Christ Church University. Magz heads artist led group Radio Arts. Her work often considers the artistic potential of radio. Her audio work has been exhibited in the British Museum, Tate Britain, the Sainsbury Centre, Whitechapel Gallery, MACBA Barcelona, Denmark, Italy, Germany, Norway, Morocco, Canada and the USA and broadcast internationally. Her ambisonic soundtrack of Hong Kong Airport at the British Museum was described as "extraordinary and rich" by Richard J. Williams in The Anxious City (2004), her "intriguing and beautiful work" Radio Mind (2012) was commissioned for Lightworks Festival. Spiritual Radio (2014) was commissioned for Unbinding the Book exhibition in Whitechapel London “pages of the book are held shut by copper nails, connected to form a transmitter circuit through which words flow “in an eternal loop….the text awaits the listener who is tuned to the right frequency” (The Guardian) also part of The Engine Room International Sound Art Exhibition (2015).
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Blog: Interview with Salomé Voegelin on "Hearing the Fake" presentation at the Council of Europe Conference

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