Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Automatic Writing Circle

Automatic Writing Circle are from diverse musical backgrounds, amongst them, historically informed performance, noise musics, electroacoustic composition, experimental and popular music. They meet to explore the nature of these traditions, the currents that flow between them, and to experience the loss and rediscovery of sonic identity aided by the mediation of the Ouija instrument. As the manual on Automatic Writing suggests.
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Member Profile: Salomé Voegelin

Salomé Voegelin is an artist and writer engaged in listening and hearing as a socio-political practice of sound. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, NY, 2010, and Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury, 2014. Other recent writings include ‘Sound Words and Sonic Fictions: Writing the Ephemeral’ for the forthcoming Routledge Companion to Sounding Art, Klangkunst als öffentliche Kunst’, in Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität, Jovis Verlag: Berlin, 2015, and Sound Walking the Museum: A Sonic Journey through the Visual Display’, in the The Multisensory Museum, Alta Mira Press, 2014.
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Blog: Listening Across Disciplines: Cheryl Tipp - Listening means Discovery

Read research project Listening Across Disciplines’ interview with Cheryl Tipp about how and why she listens in her work: "Listening means Discovery"
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