Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Automatic Writing Circle

Automatic Writing Circle are from diverse musical backgrounds, amongst them, historically informed performance, noise musics, electroacoustic composition, experimental and popular music. They meet to explore the nature of these traditions, the currents that flow between them, and to experience the loss and rediscovery of sonic identity aided by the mediation of the Ouija instrument. As the manual on Automatic Writing suggests.
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Member Profile: Dan Scott

Dan is an artist based in Kent, he has has been working with sound since he was a teenager and completed an MA in Sound Arts at the London College of Communication in 2010, gaining him a distinction. Dan's sound works explores time, memory, modes of listening and the uncanniness of everyday sound. Projects include: Ordinal 5, a sound work for dancers performed at the Tate Modern; Covas do Rio Cover Versions, a vocal cover version of a Portugese village; Field Recordings of former South London Windmills; an installation based around recordings made at the sites of old windmills and Radio Yesterday; broadcast for 24 hours on London's Resonance FM. Dan is working on an LP release of readings by Iain Sinclair for Test Centre.
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Blog: Art within hearing

Article on Cathy Lane and Viv Corringham: "I hear footsteps, maybe sandals dragging on the smooth concrete floor, and the chatter from multiple conversations around me. In the inky red blackness behind my closed eyelids I hear the distant drone and myriad horn pitches of traffic, my memory discerning autorickshaw from bus from motorbike."
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