Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Sonic Possible Worlds

Inspired by its use in literary theory, film criticism and the discourse of game design, Salomé Voegelin adapts and develops “possible world theory” in relation to sound in this publication. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible.
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Member Profile: Cathy Lane

Professor Cathy Lane is interested how sound relates to the past, our histories, our environment and our collective and individual memories. This informs her current work as a composer, sound artist, lecturer and researcher. Aspects of her creative practice have developed out of these interests and include composition and installation-based work with spoken word, field recordings and archive material. She also writes and lectures on these and related subjects as well as collaborating with choreographers, film makers, visual artists and other musicians.
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Blog: Open Call: Urban Sonic Places Commission

This open call invites submissions of performative, mobile, workshop or intervention based sound art works to take place in the immediate environs of Elephant and Castle, London. Selected artists will be commissioned a fee of £150. Deadline: 20 December 2017.
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