Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Baikal Ice

The Baikal Ice CD by Peter Cusack represents a sustained exploration, in sound, of a specific place. The techniques and practices involved in both the recording and in the composition of the recorded material relate to a long-standing themes for the researcher. These themes include an exploration of the relationship between landscape and soundscape, the extent to which our sense of place is affected by sound, and the issue of whether the creative practice of sound may provide an innovative perspective on our environment. Lake Baikal, in Siberia, is a unique place that has been designated a UN World Heritage site.
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Member Profile: John Kannenberg

John Kannenberg creates quietly reflective work in image, sound, words, and performance that investigates the psychogeography of museums and archives, the psychology of collection, the processes of making and observing art, and the human experience of time. John's work has been presented worldwide, including appearances at the "Sound Art: Sound As A Medium Of Art" exhibition at the ZKM Medienmuseum, Karlsruhe; the Notations.NL festival in Amsterdam; the 100 LIVE festival in Cairo; and the Switch ON Festival in Kuala Lumpur. As a composer, John's graphic notation work has been published in Theresa Sauer's comprehensive survey of post-Cageian graphic scores Notations 21 and performed by Manchester's Chiasmus Ensemble, while his site-specific video score Collections: UMMA has been performed at the University of Michigan Museum of Art.
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Blog: The Noisy-nonself: Towards A Monstrous Practice Of More-than-human Listening

A new article by Mark Peter Wright 'The Noisy-nonself: Towards A Monstrous Practice of More-than-human Listening', published in the latest volume of Evental Aesthetics Journal, Sound Art And Environment.
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