CRiSAP is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Andromache

This research investigates using very high and very low frequency sound, standing waves and ‘beat frequencies’ (resulting from the opposition of tones with slightly different frequencies) to explore site-and situation-specific sound practice. It began with a commission to collaborate with Graham McLaren on a contemporary adaptation of Racine’s ‘Andromache’, Toronto (2011).
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Member Profile: Peter Cusack

Peter Cusack is a field recordist, musician and researcher with a long interest in the sound environment. Projects include community arts, researches into sound and our sense of place and documentary recordings in areas of special sonic interest (Lake Baikal, Siberia). His project Sounds From Dangerous Places explores soundscapes at sites of major environmental damage - Chernobyl exclusion zone; Caspian oil fields; UK nuclear sites. This project continues and is currently researching the regeneration of the North Aral Sea, Kazakhstan. He describes the use of sound to investigate documentary issues as sonic journalism.
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Blog: SGFA2016 - Call for Participation

We are delighted to announce a call for the 3rd Sound::Gender::Feminism::Activism research event to take place in London on November 11th and 12th 2016. Sound::Gender::Feminism::Activism is a bi-annual research event initially established in 2012 as a network for researchers, artists and performers working within intersectional fields of sound, gender, feminism and activism.
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