Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Why not our voices?

Key Note Talk by Cathy Lane at Sound Art Matters conference, Denmark, June 2016: We live in sound, it is all around us. We are implicated in the social relationships and ideologies that we hear reflected back to us. Sound art offers the chance to critique the world that we hear and to produce new and different possibilities.
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Member Profile: Salomé Voegelin

Salomé Voegelin is an artist and writer engaged in listening and hearing as a socio-political practice of sound. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, NY, 2010, and Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury, 2014. Other recent writings include ‘Sound Words and Sonic Fictions: Writing the Ephemeral’ for the forthcoming Routledge Companion to Sounding Art, Klangkunst als öffentliche Kunst’, in Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität, Jovis Verlag: Berlin, 2015, and Sound Walking the Museum: A Sonic Journey through the Visual Display’, in the The Multisensory Museum, Alta Mira Press, 2014.
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Blog: Interview with David Mollin & Salomé Voegelin about their Art and Architecture commission 'Kleefeld – Klangfeld'

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