Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Andromache

This research investigates using very high and very low frequency sound, standing waves and ‘beat frequencies’ (resulting from the opposition of tones with slightly different frequencies) to explore site-and situation-specific sound practice. It began with a commission to collaborate with Graham McLaren on a contemporary adaptation of Racine’s ‘Andromache’, Toronto (2011).
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Member Profile: Milo Taylor

Milo Taylor, completed CRiSAP PhD student, Course Leader BA Sound Arts & Design, London College of Communication previously Senior Lecturer: Digital Music and Sound Art, University of Brighton and Research fellow at Kunsthochschule für Medien Köln.
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Blog: The Noisy-nonself: Towards A Monstrous Practice Of More-than-human Listening

A new article by Mark Peter Wright 'The Noisy-nonself: Towards A Monstrous Practice of More-than-human Listening', published in the latest volume of Evental Aesthetics Journal, Sound Art And Environment.
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