Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: The Uses and Abuses of Field Recording

CRiSAP's fifth research symposium, the Uses and Abuses of Field Recordings was a celebration of the beginning of a two year EU Cultural Partnership Project. The event explored the role of field recording in artistic practice, inviting eight presenters who all use microphones in different ways and for different reasons, to capture something of the world around them: Viv Corringham, Peter Cusack, Felicity Ford, Michael Gallagher, Ruth Hawkins, Bill Thompson, Salomé Voegelin and Mark Peter Wright.
More...

Member Profile: Dan Scott

Dan is an artist based in Kent, he has has been working with sound since he was a teenager and completed an MA in Sound Arts at the London College of Communication in 2010, gaining him a distinction. Dan's sound works explores time, memory, modes of listening and the uncanniness of everyday sound. Projects include: Ordinal 5, a sound work for dancers performed at the Tate Modern; Covas do Rio Cover Versions, a vocal cover version of a Portugese village; Field Recordings of former South London Windmills; an installation based around recordings made at the sites of old windmills and Radio Yesterday; broadcast for 24 hours on London's Resonance FM. Dan is working on an LP release of readings by Iain Sinclair for Test Centre.
More...

Blog: What The Internet Sounds Like

Matt Parker has been interviewed by Fast Co. about his work with the sounds of the internet.
More...