Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970

In this first instalment of acclaimed music writer David Toop's interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970 introduces the philosophy and practice of improvisation (both musical and otherwise) within the historical context of the post-World War II era.
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Member Profile: Artur Vidal

Artur M Vidal is a Spanish-born saxophone player and sound artist who grew up in Paris and currently resides in London. As such, he has performed and recorded extensively in the UK, France and Spain, as well as also being active in Turkey, Mexico and the Czech Republic. His work involves field recordings, sound walks, dance and improvisation, and he is an active member of the improvised music scene, playing and recording with artists and musicians who include Grundik Kasyansky, Jennifer Allum, Ruth Barberan, and Sébastien Branche, with whom he makes up the improvising saxophone duo ‘Relentless’.
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Blog: The Noisy-nonself: Towards A Monstrous Practice Of More-than-human Listening

A new article by Mark Peter Wright 'The Noisy-nonself: Towards A Monstrous Practice of More-than-human Listening', published in the latest volume of Evental Aesthetics Journal, Sound Art And Environment.
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