Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Sound::Gender::Feminism::Activism

This SGFA zine celebrates a growing network of people working within, through and beyond the fields of sound, feminism and gender who have contributed to the SGFA events of 2012 and 2014. It is a celebration of the prolific variety of research and artistic practice which is engaged with aspects of feminist thought, theory and everyday life.
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Member Profile: Tansy Spinks

Tansy Spinks has a PhD from UAL, a BA in Fine Art from Leeds Polytechnic, an MA in Photography from the Royal College of Art and is a Licentiate of the Guildhall School of Music (violin). Her sound performances have taken place in many venues and sites including the V&A, Camden Arts Centre, the Horse Hospital, Beaconsfield, Parasol Unit, Pitzhanger Manor, a seafort off the North Kent coast, Wimbledon Space, Brixton Market, a lift, Chelsea College of Arts, staircases in Edinburgh and Wolverhampton Universities, White Cube, Bermondsey and on top of a windmill. Her practice-based PhD research involving live, site specific, associative sound performance, was based in the department of Creative Research into Sound Art Practice (CRiSAP) at London College of Communication, University of the Arts, London with Angus Carlyle, David Toop and Cathy Lane.
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Blog: Post-Natural Sound Arts

Post-Natural Sound Arts by Mark Peter Wright - a new article in the Journal of Sonic Studies on the application of an eco-political ear, one that is not without its uncertainties and limits, but nonetheless endeavors to listen in, and out, of intersectional power.
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