Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Uncurating

Uncurating is not an impetus against curating, nor is it a deliberate non curating, the pretense of an anything goes, but an effort of decurating and recurating via a sonic sensibility: curating not works, spaces and objects, but making accessible an experience of the invisible, the audible and the as yet inaudible; not to conjure up judgment but to invite an inhabiting of the work as world - to hear in its invisibility the aesthetic and political plurality of its possibility.
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Member Profile: Julie Groves

Born in the UK in 1981, following training at a music conservatoire and a career as a musician, Julie gained a Distinction for her Masters in Sound Art at London College of Communication and has embarked upon a creative research degree. Alongside her research, she continues a dual career as professional flautist/composer and sound artist.
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Blog: The Noisy-nonself: Towards A Monstrous Practice Of More-than-human Listening

A new article by Mark Peter Wright 'The Noisy-nonself: Towards A Monstrous Practice of More-than-human Listening', published in the latest volume of Evental Aesthetics Journal, Sound Art And Environment.
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