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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Listening To Noise And Silence

Listening to Noise and Silence, a publication Salomé Voegelin, positions itself within emerging practices of sound art and its aesthetic and philosophical discourses. The book contributes to knowledge through its engagement with listening as a generative practice, theorising listening as productive in conceptualisations of subjectivity, space, perception and ethics.
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Member Profile: Ximena Alarcón

Ximena Alarcón is an artist who engages in listening to migratory spaces, connecting this to individual and collective memories. Her practice involves deep listening, sonic improvisation, and the creation of online environments to expand our sense of belonging and place. She is interested in creating telematic performances, derived from listening in interstitial spaces, such as dreams, underground transportation, and the ‘in-between’ space in the context of migration. She completed a PhD in Music, Technology and Innovation, from De Montfort University, and received a Leverhulme Early Career Fellowship 2007-2009, which led to the creation of the online environment ‘Sounding Underground’. She was awarded with a Deep Listening Certificate in 2012, and is currently a mentor for the Deep Listening Training Program, led by the Center for Deep Listening, at the Rensselaer Polytechnic Institute.
Further infomation on Ximena Alarcón

News: Kevin Logan presents at the AR@K23 symposium in Oslo.

Continue reading about Kevin Logan presents at the AR@K23 symposium in Oslo.