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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.
Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.
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Event: Sound Arts Lecture Series – Summer 2024
11th April 2024 - 23rd May 2024
Full details on Sound Arts Lecture Series – Summer 2024…
Research Feature: Gender, Intimacy and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks
Cathy Lane’s chapter “ Gender, Intimacy and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks” discusses works by Anna Raimondo, Yashas Shetty, Annea Lockwood, Khaled Kaddal, Ansuman Biswas, Ain Bailey, Hildegard Westerkamp, Tomoko Hojo, Viv Corringham and Mikhael Karikis in the newly published ‘Bloomsbury Handbook of Sound Art’, edited by Sanne Krogh Groth and Holger Schulze (2020)
Further infomation on Gender, Intimacy and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks
Member Profile: Salomé Voegelin
Prof. Salomé Voegelin is an artist and writer engaged in listening and hearing as a socio-political practice of sound. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, NY, 2010, and Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury, 2014. Other recent writings include ‘Sound Words and Sonic Fictions: Writing the Ephemeral’ for the forthcoming Routledge Companion to Sounding Art, Klangkunst als öffentliche Kunst’, in Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität, Jovis Verlag: Berlin, 2015, and Sound Walking the Museum: A Sonic Journey through the Visual Display’, in the The Multisensory Museum, Alta Mira Press, 2014.
Further infomation on Salomé Voegelin
