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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.
Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.
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Research Feature: Listening Education: hearing the fake
Listening Education: hearing the fake, by Salomé Voegelin and Anna Barney - a presentation proposing an education according to listening, promoting an attitude of doubt, at the 4th Council of Europe Platform Exchange on Culture and Digitisation.
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Member Profile: John Kannenberg
John Kannenberg creates quietly reflective work in image, sound, words, and performance that investigates the psychogeography of museums and archives, the psychology of collection, the processes of making and observing art, and the human experience of time.
John's work has been presented worldwide, including appearances at the "Sound Art: Sound As A Medium Of Art" exhibition at the ZKM Medienmuseum, Karlsruhe; the Notations.NL festival in Amsterdam; the 100 LIVE festival in Cairo; and the Switch ON Festival in Kuala Lumpur. As a composer, John's graphic notation work has been published in Theresa Sauer's comprehensive survey of post-Cageian graphic scores Notations 21 and performed by Manchester's Chiasmus Ensemble, while his site-specific video score Collections: UMMA has been performed at the University of Michigan Museum of Art.
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News: Corporeality album by Ingrid Plum
Ingrid Plum’s new album Corporeality demands that you listen louder. Corporeality draws on the archive of sound poet Lily Greenham, and utilises shimmering sine-tone structures, intensely-grounded field recordings, and the interior of a grand piano to explore spaces amongst the oscillating layers of sound. At the core of the album is Plum’s voice and the unique circuitry of the EMS VCS4 synthesiser. Plum weaves these elements together into embodied, intimate compositions that get under your skin and activate an interior landscape of listening.
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