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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.
Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.
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Research Feature: Gender, Intimacy and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks
Cathy Lane’s chapter “ Gender, Intimacy and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks” discusses works by Anna Raimondo, Yashas Shetty, Annea Lockwood, Khaled Kaddal, Ansuman Biswas, Ain Bailey, Hildegard Westerkamp, Tomoko Hojo, Viv Corringham and Mikhael Karikis in the newly published ‘Bloomsbury Handbook of Sound Art’, edited by Sanne Krogh Groth and Holger Schulze (2020)
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Member Profile: Cathy Lane
Professor Cathy Lane is interested how sound relates to the past, our histories, our environment and our collective and individual memories. This informs her current work as a composer, sound artist, lecturer and researcher. Aspects of her creative practice have developed out of these interests and include composition and installation-based work with spoken word, field recordings and archive material. She also writes and lectures on these and related subjects as well as collaborating with choreographers, film makers, visual artists and other musicians.
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News: Call for Contributions: In The Field 2
Dates: 5 and 6 July 2024
Venue: In person at London College of Communication, Elephant and Castle, London, SE1 6SB and online
Deadline for proposals: 6 February 2024
Notification of acceptance: 15 March 2024
In 2024 we will revisit In The Field, over a decade since the first significant gathering of artists and researchers in 2013, to ask how has and how might the practice of field recording responded in these times?
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