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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.
Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.
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Research Feature: Uncurating
Uncurating is not an impetus against curating, nor is it a deliberate non curating, the pretense of an anything goes, but an effort of decurating and recurating via a sonic sensibility: curating not works, spaces and objects, but making accessible an experience of the invisible, the audible and the as yet inaudible; not to conjure up judgment but to invite an inhabiting of the work as world - to hear in its invisibility the aesthetic and political plurality of its possibility.
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Member Profile: Louise Marshall
Louise Marshall comes to PhD research after a long career as a music and arts critic specialising in contemporary and experimental music and performance. Writing under the name of Louise Gray, she has published extensively in publications that include The Wire, Musicworks, New Internationalist, the Guardian, the Museums Journal and she is a former music correspondent of The Times and the Independent on Sunday. Her book on discourses within world music, The No-Nonsense Guide to World Music, was published in 2009 by New Internationalist. She also contributed a chapter on the use of music in the films of Nina Danino to Visionary Landscapes (Black Dog Publishing, 2004), and a section on Pauline Oliveros to the museum catalogue of the Whitney Biennial 2014.
Further infomation on Louise Marshall