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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: High and Low Frequencies

This research investigates using very high and very low frequency sound, standing waves and ‘beat frequencies’ (resulting from the opposition of tones with slightly different frequencies) to explore site-and situation-specific sound practice. It began with a commission to collaborate with Graham McLaren on a contemporary adaptation of Racine’s ‘Andromache’, Toronto (2011).
Further infomation on High and Low Frequencies

Member Profile: Berk Yağlı

Berk's works explore using/forming different forms of hybrids to engage and build (or intentionally break) relationships between metal music with electroacoustic music. His works challenge the notions of high art and low art and criticize the oppressive uniformity that surrounds genres (even in avant-garde).
Further infomation on Berk Yağlı

News: Kevin Logan presents at the AR@K23 symposium in Oslo.

Continue reading about Kevin Logan presents at the AR@K23 symposium in Oslo.