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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.
Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.
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Event: Sound Arts Lecture Series – Summer 2024
11th April 2024 - 23rd May 2024
Full details on Sound Arts Lecture Series – Summer 2024…
Research Feature: The Listening Artist: On Listening as an Artistic Practice beyond Sound Art
This PhD study’s original contributions to knowledge are evidencing that: a) There is the position of the listening artist that is a distinct practice to that of the sound artist, operating with quite different political, philosophical and aesthetic concerns. b) Sound art’s canon of listening is insufficient for accounting for the range of listening at play in such practice.
Further infomation on The Listening Artist: On Listening as an Artistic Practice beyond Sound Art
Member Profile: Salomé Voegelin
Prof. Salomé Voegelin is an artist and writer engaged in listening and hearing as a socio-political practice of sound. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, NY, 2010, and Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury, 2014. Other recent writings include ‘Sound Words and Sonic Fictions: Writing the Ephemeral’ for the forthcoming Routledge Companion to Sounding Art, Klangkunst als öffentliche Kunst’, in Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität, Jovis Verlag: Berlin, 2015, and Sound Walking the Museum: A Sonic Journey through the Visual Display’, in the The Multisensory Museum, Alta Mira Press, 2014.
Further infomation on Salomé Voegelin
