Home

Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

A group of woman at a table

Research Feature: Re-Soundings: Prelude - The Ayahs Home

A video installation by Cathy Lane asking - How can the muted be voiced? How can the unheard be listened to? How do memories get lost? Do they just fall through the cracks as stories are told and retold, each time missing out what is not considered important according to those who have the power to record and tell the stories and shape our ideas of our pasts and our histories?
Further infomation on Re-Soundings: Prelude - The Ayahs Home
Profile picture of Irene Revell

Member Profile: Irene Revell

Irene Revell, CRiSAP PhD student and curator whose work seeks out new contexts and connections for practices with challenging social and political implications. Much of her work since 2004 has been with the London-based curatorial agency Electra, where she was Artistic Director from 2011-15. She has been a member of the Cinenova Working Group, which oversees the running of the Cinenova feminist film distribution organisation, since 2006. She is the Visiting Curator for the MA Sound Arts, UAL, and previously Visiting Lecturer on the MA Sound and Image at University of Kent.
Further infomation on Irene Revell
Abstract circular sketch with trees on the periphery. Lines leading towards a black centre resembling the middle of a vinyl record or speaker - drawn on old yellowed paper

News: Call for Contributions: In The Field 2

Dates: 5 and 6 July 2024 Venue: In person at London College of Communication, Elephant and Castle, London, SE1 6SB and online Deadline for proposals:  6 February 2024 Notification of acceptance:  15 March 2024 In 2024 we will revisit In The Field, over a decade since the first significant gathering of artists and researchers in 2013, to ask how has and how might the practice of field recording responded in these times?
Continue reading about Call for Contributions: In The Field 2