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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study

The practice driving this research is called RoadMusic. The project uses a small computer based system installed in a car that composes music from the flux of information it captures about the journey as it unfolds. It uses a technique known as sonification that consists of mapping data to sound. In the case of RoadMusic, this data capture is realtime, external to the computer and mobilised with the user. This PhD dissertation investigates ways in which such a sonification can become an artistic form.
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Member Profile: Kate Carr

Kate Carr's work is centred on investigating the intersections between sound, place and subjectivity. As part of this work she has ventured from tiny fishing villages in northern Iceland, explored the flooded banks of the Seine surrounding a nuclear power plant, recorded in rural South Africa, and in the wetlands of southern Mexico. Her work has been featured in The New York Times, The Wire, The Quietus and The Guardian. It has also been played on the radio on stations ranging from various channels of the BBC, to independent stations in Estonia, and can be found on the labels Helen Scarsdale (US), Rivertones (UK), Soft (France) 3Leaves (Hungary) Galaverna (Italy) as well as on her own label Flaming Pines. Kate is Australian and lives in London.
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News: Aural Literacy Workshops - Sounding Knowledge Network

Continue reading about Aural Literacy Workshops - Sounding Knowledge Network