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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Cats and Dogs

Cats and Dogs is a live performance for violin and moving image created for online audiences during the Coronavirus lockdown in London. The artist occupies the viewer’s screen, manipulating video footage by Denise Hawrysio with the sound of his violin, performed in real time. The restricted visual field, claustrophobic atmosphere and almost monochromatic image are redolent of the situation we have all found ourselves in at this extraordinary time.
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Member Profile: Salomé Voegelin

Prof. Salomé Voegelin is an artist and writer engaged in listening and hearing as a socio-political practice of sound. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, NY, 2010, and Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury, 2014. Other recent writings include ‘Sound Words and Sonic Fictions: Writing the Ephemeral’ for the forthcoming Routledge Companion to Sounding Art, Klangkunst als öffentliche Kunst’, in Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität, Jovis Verlag: Berlin, 2015, and Sound Walking the Museum: A Sonic Journey through the Visual Display’, in the The Multisensory Museum, Alta Mira Press, 2014.
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News: The knotty politics of field recording

Mark Peter Wright's new book Listening After Nature is reviewed by Ilia Rogatchevski for The Quietus
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