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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Is There a Sonic Iconography of Remoteness? Northern Islands in Contemporary Sound Arts Practice.

A conference paper by Cathy Lane at REMOTE: Rethinking Remoteness and Peripherality Conference, Svalbard, Norway, exploring whether there might be a sonic iconography of remoteness related to North in general and northern islands in particular.
Further infomation on Is There a Sonic Iconography of Remoteness? Northern Islands in Contemporary Sound Arts Practice.

Member Profile: Syma Tariq

Syma's PhD is titled 'Partition’s sonic condition: listening through the postcolonised archive'. Her practice-based research focuses on the discursive and temporal separations embedded in histories of the 1947 partition – the division of the British Raj into independent India and (east and west) Pakistan – through their sonic-archival forms.
Further infomation on Syma Tariq

News: Call for contributions to Wild Energies: Live Materials

A CRiSAP event focusing on and around the work of artist and composer Annea Lockwood. Taking place online on: April 28th and 29th, 2022. Deadline for proposals: midnight (GMT) January 3rd, 2022
Continue reading about Call for contributions to Wild Energies: Live Materials