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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Un-Earthed: A festival of listening and environment

 Unearthed: A festival of listening and environment is an ongoing series of events inviting both serious and more playful interrogations of current sound and listening practices and how they might help us reconsider our evolving relationships with other species, the built environment, truth and each other.  
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Member Profile: Holly Ingleton

Dr Holly Ingleton is a cultural worker and feminist sound studies scholar whose transdisciplinary performative practice explores sound in an expanded and often dematerialised field through archives, conversations, interventions, hidden herstrories and historical amnesias, tuning into feminist frequencies within sites of the juxtapolitical. Holly is involved as archivist and educator for the Her Noise Archive, editor of www.hernoise.org and founding co-collaborator of Sound:Gender:Feminism:Activism. She has performed and exhibited in the UK, Australia and Greece, talks at festivals and symposia internationally, has published in Reflections on Process in Sound and Women and Music: A Journal of Gender and Culture (forthcoming) and recently completed the doctoral research, Composing Paradoxes: Feminist Process in Sound Arts and Experimental Musics.
Further infomation on Holly Ingleton

News: The knotty politics of field recording

Mark Peter Wright's new book Listening After Nature is reviewed by Ilia Rogatchevski for The Quietus
Continue reading about The knotty politics of field recording