Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: Berlin Sonic Places: A Brief Guide

'Berlin Sonic Places: A Brief Guide', publication by Peter Cusack, is an appreciation of, and an enquiry into, Berlin's sounds and soundscapes in all their moods of noise and quiet.
More...

Member Profile: Salomé Voegelin

Prof. Salomé Voegelin is an artist and writer engaged in listening and hearing as a socio-political practice of sound. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, NY, 2010, and Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury, 2014. Other recent writings include ‘Sound Words and Sonic Fictions: Writing the Ephemeral’ for the forthcoming Routledge Companion to Sounding Art, Klangkunst als öffentliche Kunst’, in Labor Mühlheim Künstlerisches Forschen in Feldern zwischen Prekarität und Kreativität, Jovis Verlag: Berlin, 2015, and Sound Walking the Museum: A Sonic Journey through the Visual Display’, in the The Multisensory Museum, Alta Mira Press, 2014.
More...

Blog: Documentation from SGFA 2019: Contemporary Art Practices

SGFA 2019 | Panel 1a Contemporary Art Practices - Videos of documentation from our conference SOUND::GENDER::FEMINISM::ACTIVISM Tokyo, a collaboration with the Graduate School of Global Arts (GA) at Tokyo University of the Arts, online now. 
More...