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Author: Lisa Hall
We’re delighted that selection of these guest lectures are available to watch back on the LCC Sound Arts Youtube channel. Speakers have included; Shanti Suki Osman, Joel Stern, Annea Lockwood, Pedro Oliveira, Sandra Kazlauskaitė, Nzinga Soundz, Ximena Alarcón, Chooc Ly Tan, Jaap Blonk, Lucia Farinati, Julian Henriques, Louise Ashcroft, Moushumi Bhowmik along with many others.
A radio show responding to the documentaries ‘Poly Styrene: I Am a Cliché’ and ‘Sisters With Transistors’ and exploring women in music.
‘A collection of meandering but geographically and socially contextualised discussions – almost like qualitative research materials – takes us from Brighton to Beirut and beyond, in many cases via Skype or Zoom, to establish some of the contemporary geographies, sociologies and economies of sound arts while looking beyond a network of ‘white men from the global north’.
‘They Have Clocks, We Have Time’ a forthcoming issue of The Funambulist, challenging the colonial standardization of time.
This issue features the article ‘Partitioning Territory, Partitioning Time’ on the Indian Subcontinent by CRiSAP PhD student Syma Tariq
LCC are recruiting for two roles in our Sound Arts department – Sound & Music Programme Director and part time Lecturer on the BA Sound Arts course.
Read ‘Being-With: an experiment of a self-isolating/locked down body’ by Salomé Voegelin in Unlikely Journal’s Issue 07. “This is an artistic response to and provocation on being as a contingent communality of being alone.”
Coventry Biennial 2021 announces it’s selected artists for HYPER-POSSIBLE, taking place across Coventry & Warwickshire from 8 October 2021 – 23 January 2022, which includes CRiSAP PhD students Kate Carr and Simon Scott.
This audio paper by Salomé Voegelin and Mark Peter Wright as part of the UK research council funded project ‘Listening Across Disciplines II’ reflects on the practice and teaching of auscultation – a medical technique for listening to the body with a stethoscope – in relation to how we know the body as a physiological and a political entity from its sound.
Read ‘The Grain of Online Voices’ by Salomé Voegelin on Norient. ‘Every physical interaction leaves traces. Yet, in online meetings, the human voice might be the only traceable feature left. In the fifth episode of «Sonic Vignettes», Salomé Voegelin reflects upon the grain of the voice as an irreducible trace of human contact and why it is endangered by AI cleaning language.’