Led by composer Francisco Colasanto, this Points of Listening session explores algorithmic composition, with the audience invited to undertake composition and instrument design.
With keynote contributions by CRiSAP’s Cathy Lane and David Toop, this two-day seminar, screening and concert programme features different scholarly and artistic contributions on social formation and the ever-evolving atmosphere of a place.
Curated by Dr John Wynne, this series of visiting speakers is co-hosted by LCC department of Sound Arts and UAL's CRiSAP research centre.
This talk by Salome Voegelin forms part of the ‘caféphilosophique strand of the Café Culture 2018–2019 programme. Entitled, Sonic Materialism: How to be a thing according to sound, discussion will consider ideas of new materialism through a sonic sensibility and participation.
Bringing together the work of the thirteen students graduating from the MA Sound Arts in 2018, this exhibition – dispersed through the LCC's building – responds to the term 'sounding centre', used by artist Simone Forti in her Handbook in Motion (1974) to describe a room from which sounds emanate and fill the home.
Curated by Dr John Wynne, this series of visiting speakers is co-hosted by LCC department of Sound Arts and UAL's CRiSAP research centre.
Research symposium about the 'Sounding Centres' graduate exhibition of the MA Sound Arts 2018 (LCC, UAL), part of LCC Postgraduate Show 2018. With talks from Katja Hilevaara, Emily Orley and Sophie Mallett, contributions from the thirteen artists taking part in the MA Sound Arts final show and the Course Leader Thomas Gardner. Chaired by Salomé Voegelin.