LCC are recruiting for two roles in our Sound Arts department – Sound & Music Programme Director and part time Lecturer on the BA Sound Arts course.
Read ‘Being-With: an experiment of a self-isolating/locked down body’ by Salomé Voegelin in Unlikely Journal’s Issue 07. “This is an artistic response to and provocation on being as a contingent communality of being alone.”
Coventry Biennial 2021 announces it’s selected artists for HYPER-POSSIBLE, taking place across Coventry & Warwickshire from 8 October 2021 – 23 January 2022, which includes CRiSAP PhD students Kate Carr and Simon Scott.
This audio paper by Salomé Voegelin and Mark Peter Wright as part of the UK research council funded project ‘Listening Across Disciplines II’ reflects on the practice and teaching of auscultation – a medical technique for listening to the body with a stethoscope – in relation to how we know the body as a physiological and a political entity from its sound.
Read ‘The Grain of Online Voices’ by Salomé Voegelin on Norient. ‘Every physical interaction leaves traces. Yet, in online meetings, the human voice might be the only traceable feature left. In the fifth episode of «Sonic Vignettes», Salomé Voegelin reflects upon the grain of the voice as an irreducible trace of human contact and why it is endangered by AI cleaning language.’
New audio work by Prof David Toop released by Bergen Kunsthall, ‘Remembering and Forgetting’
This documentary summarises the first stage of development of the art-research project INTIMAL led by Dr. Ximena Alarcón, former CRiSAP Research Fellow, at the University of Oslo’s RITMO Research Centre, Continue…
HEARD (HEAlth, ARts and Design) is a new research hub of UAL focusing on art and design and their relationship to health. The hub brings together artists, researchers, students, and practitioners from across the UAL community, including a number of CRiSAP researchers.
Read a short excerpt from Sound arts now, a new publication by Cathy Lane & Angus Carlyle exploring contemporary artistic sound arts practices and theories.
While not claiming to be a definitive survey, Sound arts now broadens and destabilises what we have come to understand as sound arts, offering new and different pathways, frames of reference, and modes of thinking.